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. 'Released: February 5, 2010. 'Released: March 24, 2010. 'Gone Baby, Don't Be Long'Released: February 2011New Amerykah Part Two (Return of the Ankh) is the fifth by American recording artist, first released on March 30, 2010, through. Collaborating with several over the Internet, Badu conceived 75 songs set to be split over three albums with (2008) being the first. The album was recorded primarily at in New York City.Contrasting its socially themed and complex predecessor, New Amerykah Part Two contains a prominently -based, analog sound. The album incorporates sampling and live instrumentation, while its more personal lyrics focus on themes of romance and relationships.

The production for the album was handled by several of Badu's previous collaborators, including, and, along with appearances from, and harpist.New Amerykah Part Two (Return of the Ankh) received positive reviews from critics, who commended its soulful sound and loose structure, and viewed it as more accessible than that of its predecessor. The album was ranked as one of the best albums of 2010 and the decade by several publications. It debuted at number four on the US chart, selling 110,000 copies in its first week. As of 2011, it has sold around 300,000 copies in United States. The album produced three singles, ', 'Turn Me Away (Get MuNNY)', and 'Gone Baby, Don't Be Long'. Contents.Writing and recording In 2004, Badu received her first computer as a Christmas gift from drummer and producer, and began communicating with and receiving music from him and other producers such as.

Beginning in 2005, Badu worked from her home in Dallas and used the software application as a, which she was introduced to by her son, Seven. He taught her how to use her laptop as a mini recording studio, and she used it to construct various for songs. Using GarageBand, she recorded demos of her vocals by singing into the computer's microphone. A portion of the album was recorded at the.She composed more than 75 songs within the year and intended on splitting them among her planned series of New Amerykah albums. She said of her productivity with her laptop, 'I could be here, in my own space, with headphones on, and the kids could be doing what they doing, and I’m cooking dinner still, I’m making juices still, and it’s so easy just to sing. You got an idea — boom!

Badu's contacts, including hip hop producers Questlove, and, her to get back into the studio and sent her tracks. Such exchanges inspired a creative spark for Badu, which she explained in an interview for the, 'I started to accept that maybe it's OK for me to put out music, and it doesn't have to be something dynamic or world-changing. But just as I was accepting that, here comes this burst of light and energy and creativity. And that's the process, I guess, of life—the detachment and the release of something gives you even more room to grow or be creative.' A portion of the album was recorded at 's. She told that she recorded her vocals for the song ' in her shower, stating 'I wanted to sound like I was in a tunnel. I got my laptop and closed the door.'

In an interview for, Badu explained that 'we used a lot of analog instruments—harps, strings, drums, piano, and even a —to give the album that sonic feel. There's a strong undercurrent of bottom, a rumbling to these songs that feels good to me. It feels like a hug.'

Music and lyrics In contrast to its predecessor (2008), which was digitally produced and political in tone, New Amerykah Part Two (Return of the Ankh) incorporates and live instrumentation, while its more personal lyrics focus on themes of romance and relationships. 'Return of the Ankh' was seen as a departure from the experimental work of and a return to the musical style of Badu's earlier catalogue, particularly the jazz elements of Badu's debut, (1997). The album's style and production is characterized as being down-tempo, built around soul and jazz. Badu has described its sound as 'very analog'. According to critic Ryan B. Patrick, New Amerykah Part Two featured a 'progressive fusion of 'Neo Soul' Badu with 'Seasoned and Savvy' Badu together at last'.

' ' was compared to the Badu's early work particularly ' and 'Otherside of the Game' from her debut album, 'Window Seat' contains stomp-and-clap breakdowns built under halting lyrics.According to Badu, the album's closing track, 'Out My Mind, Just in Time', is a three- song: 'The first movement is called 'Recovering Undercover Over-lover.' It actually sums up the whole album, because I'm talking about love and emotion – 'I need you to do this,' 'I want you to do this,' 'You make me feel like this,' 'Why don't you feel like this?'

It's typical of how you feel in relationships. The second movement is called.

'Easier Said Than Done,' and it's about how hard it is to change after you've been in a relationship for so long. And then the third movement is called 'But Not This Time,' because even though I've done things a certain way for so long, I won't do that this time'. Andy Kellman of described the song as being innocently as a piano ballad, before changing into a 'psychedelic, slow-motion soul-jazz' song that sees Badu becoming 'increasingly fragmentary and tripped-out' before being 'renewed.' Singles The internet-only promotional single 'Jump Up in the Air (Stay There)', featuring and, was released on Badu's official website in January 2010. RC Williams, Badu's musical director, said that a music video for the track was shot in Dallas. A censored 'clean' version of the video was released on February 12, 2010 on Badu's official website. It has been made available as a free, legal download by, the marketing and promotion company for the album.The album's first official single, ', was released by Badu through a downloadable link on her page.

The song peaked at number 16 on chart. The video for 'Window Seat' was directed by Coodie Rock and premiered on Erykah's official site on March 27, 2010 at 3:33 AM EDT. In the video, Badu is seen walking the streets of Dallas near, slowly stripping to the nude, before being shot by an unseen assassin.The album's second single, ', was released March 24, 2010 by Badu as a free download online. It spent three weeks on the R&B/Hip-Hop Songs chart, peaking at number 87.On Wednesday, February 9, 2011, released a new video for 'Gone Baby, Don't Be Long' directed. The video was tweeted by Badu herself and friend and associated music act.

Release and promotion. Erykah Badu performing at the in 2012The album was released March 30, 2010 on in the United States, and two weeks later in Japan on April 14, 2010.

New Amerykah Part Two 's cover art, titled 'Out My Mind Just in Time', shares the name of the album's closing track and was designed by visual artist, who had also designed the artwork for. He explained on his website that he used song lyrics from the album as inspiration. In an interview with, she explained the album's title, stating:I called it ' Part II: The Return of the Ankh ' because this album is the sister of the left side of my brain – it is the right side. ' Part I was the left side of my thoughts – it was more socially political and my thought process was more analytical. This time there wasn't anything to be concerned with – the album is more emotional and flowy and talks about feelings. It reminds of the days of ' Baduizm ' – this is just about beats and rhymes in a cipher.

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Download Free Erykah Badu New Amerykah 2 Rarezas Full

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Download Free Erykah Badu New Amerykah 2 Rarezas 2016

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Drawing from the same batch of GarageBand demos that inspired her 2008 comeback album, New Amerykah, Pt. 1 (4th World War), neo-soul luminary Erykah Badu follows that socially conscious effort with cosmic funk and smoldering hip-hop grooves in Return of the Ankh. Drifting on dreamy keys and a pocket beat, “Window Seat” is one of her most intimate ballads. “Turn Me Away (Get Munny)” revels in sugary-sweet melodies and tongue-in-cheek materialism, while “Umm Hmm” channels ’70s soul with a beat from Madlib. Drawing from the same batch of GarageBand demos that inspired her 2008 comeback album, New Amerykah, Pt. 1 (4th World War), neo-soul luminary Erykah Badu follows that socially conscious effort with cosmic funk and smoldering hip-hop grooves in Return of the Ankh. Drifting on dreamy keys and a pocket beat, “Window Seat” is one of her most intimate ballads.

“Turn Me Away (Get Munny)” revels in sugary-sweet melodies and tongue-in-cheek materialism, while “Umm Hmm” channels ’70s soul with a beat from Madlib.