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The first few pages I was like: Oh, this is kinda slow again and then Natsuki Takaya ripped my heart out! I swear by the end I was bawling my eyes out. I was weeping, flat out crying! I could barely see through my tears! I never thought a manga would be able to make me cry so hard.
TTThoughts to the highlights of this volume:- Kureno and Uo-chan! I don't know where to start. So many things happened in this volume. It's hard for me to just start from. It was so difficult reading it. Things came together so nicely but at the same time.
So painfully. I'm still not sure how I really feel about everything that happened with all the characters. Not that it was bad or anything.
It was great. Akito really threw me into a whole new pit! I wasn't expecting him to.
Well, more on that later. I don't know where to start. So many things happened in this volume. It's hard for me to just start from.
It was so difficult reading it. Things came together so nicely but at the same time.
So painfully. I'm still not sure how I really feel about everything that happened with all the characters. Not that it was bad or anything. It was great. Akito really threw me into a whole new pit! I wasn't expecting him to.
Well, more on that later. I was giddy throughout most of this book! It was so cute how everything was playing out. I was so happy seeing how Kyo finally stood up for what he believed in! God, that was epic! Fangirling like I was just made it all the more enjoyable for me.
There's just those little things that made me questioned.Muses on it for a bit longer.My word. Who really can expect anything in this series? Takaya-sensei did an amazing job in treating this story as her baby.
I can't even find the right words to describe it. She makes things appear to be so simple but then BAM! You get all the heavy stuff thrown at you at once. It really messes with the brain and does a number on you.
I swear that I must appear insane to you all already because of reading this. However, it is so worth it.
Once again, the side panels are kept to a minimum to enhance the mood of what's happening with the story. I love that she puts these things into consideration.
Also, her artwork is gorgeous. I love how she is able to create such raw emotions on the characters facial expressions. That's always something I appreciated about her artwork. I do have to say one thing I noticed. She's not that great at drawing hands. But that's only a minor thing. It's not as huge as to disrupt your reading of the story and hands are difficult to draw in the first place anyway.
Hell, I can't even draw a straight line, let alone an entire manga. Still, she has very fine drawing techniques. Oh, those faces! They break my heart into itty bitty pieces! :3 Hey, Kyo, Tohru, Yuki, and Machi should have a double wedding!.Gets shot. Great.
That bastard is back. DXOne thing that really puzzles me is. I can't stand this prick and yet. He did something that. Well, it left me feeling strange. I don't know how to take it.
I'm grateful but also upset. Upset because. It's hard for me to forgive someone when he's done nothing but horrible things in their entire life. But considering the actions Akito decided to take.
It leaves me feeling. If I'm meant to forgive him then I don't want to do it. However, I will appreciate what he's done.Smiles.it was nice seeing all the other characters as well. It feels like I haven't seen them in forever. I suppose it's thanks to Akito that we get to see them.
Even if it was sad. I couldn't hold myself together when I saw how they all reacted.Sighs.I don't even want to say it. But readers, this was all so moving!
You have got to see this for yourselves. I don't know how you'll feel towards Akito but. My feelings on it is.
I can appreciate it but I don't want to come close to forgiving him. My soul is just not that kind.Honestly, guys. Haven't you figured that since we are already here that it's a waste to not finish this amazing series? Pick this volume up, read, then pick up the next one and finish it. This is worth so many read throughs and more because of the story and the characters.
I will definitely talk more about how many times you should read it in the next and final review. Until then, join me in the 23rd volume of Fruits Basket. I am very curious in seeing how Takaya-sensei finishes off this series.
So far, I'm liking where it's headed. I WANT TO SEE WEDDING BELLS!!! SO I EXPECT TO SEE WEDDING BELLS! Anyway, come join me?.Smiles sweetly.
Following one of my least favorite volumes of Fruits Basket, we have Volume 22, which I think is my favorite volume.Kyo begins the volume by confronting his father, who is a hateful person, like all the adults in this story. Kyo essentially tells his dad that he's going to live his life the way he wants to. Then Kyo confronts Akito, and she essentially sets him free. His curse isn't lifted at this point, but she tells him that she won't confine him and makes plans to destroy the cat's isolation Following one of my least favorite volumes of Fruits Basket, we have Volume 22, which I think is my favorite volume.Kyo begins the volume by confronting his father, who is a hateful person, like all the adults in this story. Kyo essentially tells his dad that he's going to live his life the way he wants to. Then Kyo confronts Akito, and she essentially sets him free.
His curse isn't lifted at this point, but she tells him that she won't confine him and makes plans to destroy the cat's isolation room.Tohru gets out of the hospital and Kyo finally gets to see her. Poor Tohru is convinced from their last conversation that Kyo doesn't want her. He has to work pretty hard to convince her otherwise. Meanwhile, they realize that Kyo's curse has lifted. They can safely embrace.
Kyo breaks the beaded bracelet that was holding in the monster within.The curse lifts on all the Zodiac members at the end of the volume. It's heart-wrenching to see the sadness and loneliness that overtakes them. The Zodiac was a bond as much as it was a curse. None of them know how to live free and alone. I loved the facial expressions that Takaya drew.The best part of this volume is the very end, when the real story of the Zodiac is told.
The one that all the cursed members had forgotten. The cat wasn't the foolish one at all in the real story. The cat was the smartest, the most loving, and the bravest. The others turned against the cat when they realized that it made the decision they should have.
Ah, I'm so happy!! I want to dance around with the book in my arms, smiling and laughing to the skies! So many emotional and romantic moments, people becoming closer and sharing their true hearts! I love how Uotani and Hanajima are so protective of Tohru at this point, and they really chew out anybody who might upset her in the slightest way.I'm so proud of Kyo for standing up for himself and being so courageous in the face of hatred. He chose to confront those fears, and really went through the Ah, I'm so happy!! I want to dance around with the book in my arms, smiling and laughing to the skies! So many emotional and romantic moments, people becoming closer and sharing their true hearts!
I love how Uotani and Hanajima are so protective of Tohru at this point, and they really chew out anybody who might upset her in the slightest way.I'm so proud of Kyo for standing up for himself and being so courageous in the face of hatred. He chose to confront those fears, and really went through the fires in this one. He's so wonderful!There are no words to describe how much I love this volume. I kept going back to reread my favorite bits over and over!! I've officially finished my reread of Fruits Basket! I know, I know.
There's one more book. But last time I read these books, Volume 23 wasn't out yet in the United States.
Therefore, this was the last book I had to reread before the final Fruits Basket volume! I don't want it to end! Anyway, here are some thoughts I had while reading:- Kyo's nervousness when he's going to pick up Tohru from the hospital is so adorable!- I'm so glad Uotani and Kureno worked it out and I've officially finished my reread of Fruits Basket! I know, I know. There's one more book. But last time I read these books, Volume 23 wasn't out yet in the United States. Therefore, this was the last book I had to reread before the final Fruits Basket volume!
I don't want it to end! Anyway, here are some thoughts I had while reading:- Kyo's nervousness when he's going to pick up Tohru from the hospital is so adorable!- I'm so glad Uotani and Kureno worked it out and ended up together! Although, the book makes it sound like they move away. I'm sure Uotani is going to miss Tohru and Hanajima like crazy! - When Kyo's curse breaksI can just feel the love and happiness between him and Tohru pouring off the page!- I'm really glad that I ended where I did the first time I read this manga. This volume ends in a really good place.
In fact, I'm not sure what else needs to be resolved, so I wonder what will be in the final volume!Well, I'm off to read Volume 23! I've been waiting so long to read this volume, and it's definitely going to be bittersweet once I'm finished with it! Let's hope it doesn't disappoint! This review has been hidden because it contains spoilers. To view it,Before Kyo is able to redeem himself with Tohru, he needs to confront what he has been running away from all this time his father! But will Kyo's father be as forthcoming with forgiveness, and what horrid truth will Kyo learn from him about his mother?
In the meantime, a reformed Akito has a change of heart regarding Kyo's incarceration, which causes her to make a decision that will shock many in the Sohma household! And how did a promise of love and friendship turn into the burdensome, tragic Before Kyo is able to redeem himself with Tohru, he needs to confront what he has been running away from all this time his father! But will Kyo's father be as forthcoming with forgiveness, and what horrid truth will Kyo learn from him about his mother?
In the meantime, a reformed Akito has a change of heart regarding Kyo's incarceration, which causes her to make a decision that will shock many in the Sohma household! And how did a promise of love and friendship turn into the burdensome, tragic curse that it is? The full tale of the twelve zodiacs is finally revealed in this penultimate volume.I'm so sad that the series is ending.
I remember that Fruits Basket was the first series that I really started to get excited about. But reading this book depressed me.
It was a great story but seemed like it touched on too little things. I'm very glad that everyone is released now from the curse, but I wonder what they could possily scheme up on the next volume '23'. This is only one book from the end so there’s very little I can say in way of review that wouldn’t be spoilery for major things. Most importantly, Kyo goes to see his birth father to confront him at last. Needless to say this isn’t pretty.Then we get more of Tohru’s friends being uncharacteristically cruel to Kyo and frankly, to Tohru. I get that they’re mad that they think he rejected her but by not letting him in to see her the whole time she’s in the hospital would only reinforce this so I’m This is only one book from the end so there’s very little I can say in way of review that wouldn’t be spoilery for major things.
Most importantly, Kyo goes to see his birth father to confront him at last. Needless to say this isn’t pretty.Then we get more of Tohru’s friends being uncharacteristically cruel to Kyo and frankly, to Tohru. I get that they’re mad that they think he rejected her but by not letting him in to see her the whole time she’s in the hospital would only reinforce this so I’m not sure what they think they’re proving or why Kyo even listens.Kyo does see Tohru when she leaves the hospital and she reacts with all the maturity and intelligence of last week’s garbage.
Then again it’s Tohru so it should be expected she’ll do something dumb. At least they finally get to talk. Akito does some interesting things this volume as well. I was generally trying to keep myself to one volume of Furuba each day on this read through of the series, but after finishing volume 21 this morning I couldn't help but pick this volume up this afternoon. Guessing this evening will see me finishing of volume 23 as well.This volume begins with Kyo starting to face down his remaining fears - starting with his father.
We've never seen a whole lot of Kyo's father throughout the series, just enough to know he blames him for his mothers death, but I was generally trying to keep myself to one volume of Furuba each day on this read through of the series, but after finishing volume 21 this morning I couldn't help but pick this volume up this afternoon. Guessing this evening will see me finishing of volume 23 as well.This volume begins with Kyo starting to face down his remaining fears - starting with his father. We've never seen a whole lot of Kyo's father throughout the series, just enough to know he blames him for his mothers death, but here we see just how truly warped he is, and find out that he was (effectively) the cause of her suicide. Although it is horrible that Kyo has to go through the painful experience of being with his father, at least that revelation will take some weight off of him.Also combined with this first story is a tiny mention of Akito, proof that she is also doing her best to move on despite the lack of support from head housemaid-lady, and a quick cameo from Hiro and Kisa - the latter of whom is again showing how much she has improved by providing a small gesture to Kyo. I love how it reminds him of Tohru - I think Kisa will grow into a version of Tohru!The second story starts with Hana-Chan and Uo-Chan miraculously accepting Akito.
I do wonder in a way if their ribbing on Kyo is partly because of the fact that they cannot speak to Akito in that way. Regardless, how sweet is it that Tohru still thought of Kureno and Uo ahead of herself?This arc of the story ends with Uo and Kureno moving away together, I have a feeling this is a flash forward moment as I am pretty certain Uo is still present in the next volume. They are cute together but I am not sure how much I believe in their romance together - that said this is Furuba and everyone we have grown to care about gets a happy ending with this series (and honestly I wouldn't have it any other way!)Combined in the second story is the really rather sad fact that Tohru cannot bear to hear Kyo's name mentioned.
I do feel sorry for the pain Kyo goes through here, even if he kinda deserved it from the way that he treated Tohru in the last volume.I do find the 'confrontation' between Akito and Kyo to be rather anti-climatic. Again it works for the story but I so wish Kyo had more of a chance to speak freely to Akito - similar to the way Akito and Hiro talk at the beginning of the next chapter and story.The main part of this third story is Kyo and Tohru finally reuniting. There is some moments where Yuki and Machi are juxtaposed with them, but our focus is on the apology.
Kyo does a fantastic job, and where he doubts it, the reader knows that Tohru was always going to forgive him - she loves him afterall, and it is in her nature! Why else would she want to smile at him when she next saw him if not because she is so kind at heart.I adore the moment between them, just before chapter 129 comes to an end, the short look of realisation that we are treated to, before that really lovely page of Akito looking into the forest. I can imagine if you were reading this series as it was released chapter by chapter that would have been a really happy yet annoying cliffhanger!Still, this is a tankōbon and I have the luxury of being able to read on where we are treated to a brief flashback between Akito and Tohru, before seeing how Kyo and Tohru, Ayame and Mine, Ritsu, Kisa and Kagura, Rin and Hatsuharu, Hatori and Shigure react to being free. This part still manages to bring a tear to my eye - I think it is that the thoughts throughout this can apply to Akito and the Zodiac members equally. Having images of Akito, in distress but being so brave, interspersed here is nicely done. I will never like Akito but she is undeniably brave here.I am not sure what I think of Yuki being left to last, and having a special message. We know that the rat and 'God' had not been born for the same amounts of time, and that the rat was the first at the banquet (or so we thought), and that Yuki was tortured the most by Akito as a child - so there are really a bunch of reasons for it I guess.
That said, and as I wrote in 2014, the timing by Akito is superb.This volume seems to be one for lovely pages - I can't help but love the final page of chapter 130, seeing God and his animals together - and the little rat waving goodbye. It's cute, and I find I am tearing up a little just thinking of it!The story of how the curse/bond came to be is really sweet (I need to find new words to describe things in this series!), it's such a shame that the words the cat said weren't understood by the others. Had they been how many years of suffering could be avoided? The bond itself might have also been better understood. But at least the cat looks so happy when this volume reaches its conclusion.As a penultimate volume this is really good. We begin to wrap up our loose ends and still get some character development going on as well.
Fruits Basket, Vol. 22 continues where the previous tankōbon left off and contains the next six chapters (126–131) of the on-going manga series.Kyo Sohma visits his father and admits guilt in the death of his mother, but refuses to be locked away forever.
While his father is still screaming at him for ruining his life and how he should disappear, Kyo remembers when he was younger how his father would not just scream over him telling him to disappear but also his mother. Kyo also remembers the Fruits Basket, Vol. 22 continues where the previous tankōbon left off and contains the next six chapters (126–131) of the on-going manga series.Kyo Sohma visits his father and admits guilt in the death of his mother, but refuses to be locked away forever. While his father is still screaming at him for ruining his life and how he should disappear, Kyo remembers when he was younger how his father would not just scream over him telling him to disappear but also his mother. Kyo also remembers the day his mother committed suicide that he wanted his mother to live and he didn't want her to be thrown away while she was still alive.
Finally Kyo recalls that he also doesn't want to throw anything away and he will do what he can as long as he is alive to live. Meanwhile, Akito Sohma orders the cat's prison destroyed, despite his ancestor's wishes. Kyo and Akito both think about needing to move on from their fathers.As Hiro Sohma tells Kisa Sohma he is free of the curse, they meet Kyo throwing up afterwards in the street caused by the stress of confronting his father.
As Kisa offers him help, Kyo sees the image of Tohru in her. When Akito tells Saki Hanajima and Arisa Uotani about stabbing Kureno Sohma, Hanajima 'senses' that Akito is female and that she is the 'other woman' that Kureno had promised to stay with.Hanajima, Uotani, and Yuki Sohma continue to ban Kyo from visiting Tohru Honda in the hospital, because she is still hurt by his rejection. When Tohru is discharged, she sees Kyo and runs away. When Kyo catches up with Tohru, he apologizes and tells her he loves her and won't need any more chances because this is it. He kisses her and also confesses that it's not the first time they've kissed. Tohru asks if she can hug him, and he warns her that his transformation may be the cause of hardship together, but Tohru doesn't mind since its Kyo. They hug, but Kyo does not transform – his curse is broken.As Akito feels Kyo's curse break, she remembers in flashback visiting Tohru in the hospital, and tells her father's memory she is stepping forward despite fear, before saying goodbye.
All the remaining zodiac animals are shown realizing the curse is gone, and each one cries. Yuki is with Machi Kuragi when his curse lifts, and in his grief embraces and kisses her. The story of the zodiac's origin is retold, this time showing the god as a lonely and selfish being, who befriends the cat first of the animals.This tankōbon is written and illustrated by Natsuki Takaya.
For the most part, I really liked the direction of the narrative. The Zodiac curse is finally broken and the romance between Tohru Honda and Kyo Sohma is finally made official. Also, Yuki Sohma and Machi Kuragi, along with Arisa Uotani and Kureno Sohma finally get together. As the penultimate tankōbon, there is a feeling of finality of this epic tale, and I can't wait to see how this series ends up.All in all, Fruits Basket, Vol.
23 is a wonderful continuation to a series that seems intriguing and I cannot wait to read more. This is a nostalgia series for me. There are definitely flaws and some things that don't hold up now as the series grows older, but it remains one of my favorite manga of all time (hence why it'll get five stars regardless).The characters are engaging, beautiful, multilayered, and wonderful. Seeing their journeys grow and change really hits me. There are some pages in the later volumes that really, really hit me hard even now and flash me back to that time when I first read them.This is This is a nostalgia series for me.
There are definitely flaws and some things that don't hold up now as the series grows older, but it remains one of my favorite manga of all time (hence why it'll get five stars regardless).The characters are engaging, beautiful, multilayered, and wonderful. Seeing their journeys grow and change really hits me.
There are some pages in the later volumes that really, really hit me hard even now and flash me back to that time when I first read them.This is definitely a wonderful character-centric manga series. Natsuki Takaya (高屋 奈月 Takaya Natsuki, real name Naka Hatake) is the penname of a Japanese manga artist best-known for creating the series Fruits Basket.
She was born on July 7, 1973; (Tanabata). Takaya is left-handed and once revealed that she wanted to be a mangaka since first grade, when her sister started drawing.She was born in Shizuoka, Japan, but was raised in Tokyo, where she made her Natsuki Takaya (高屋 奈月 Takaya Natsuki, real name Naka Hatake) is the penname of a Japanese manga artist best-known for creating the series Fruits Basket. She was born on July 7, 1973; (Tanabata). Takaya is left-handed and once revealed that she wanted to be a mangaka since first grade, when her sister started drawing.She was born in Shizuoka, Japan, but was raised in Tokyo, where she made her debut in 1992. She enjoys video games such as the Final Fantasy series or Sakura Wars, or working on her different manga series, such as Fruits Basket, which is the second best-selling shōjo manga ever in Japan, and the top selling shōjo manga in North America.
Fruits Basket has also been adapted into a twenty-six-episode anime series.In 2001, Takaya received a Kodansha Manga Award for shōjo manga for Fruits Basket.According to Takaya (in a sidebar of a Fruits Basket manga volume), she enjoys drawing girls (girly ones) more than she does boys. Takaya also enjoys electronics and music, but dislikes talking about herself. Also revealed in a sidebar of Fruits Basket, Takaya broke her drawing arm (left) after Fruits Basket volume six was published. She had to go into surgery, and as a result, had put Fruits Basket on a brief hiatus. Takaya made a full recovery, but complains that her handwriting had gotten uglier, due to the surgery. During her hospital stay, she gained an interest in baseball.
Contents.Plot When high school student Tohru Honda's mother dies in a car crash, Tohru decides to live with her grandfather. Renovations on the house and unsupportive and unkind family members cause her to move out of her grandfather's house temporarily and, since she has nowhere else to go, Tohru begins living in a tent and supporting herself. That is, until she finds a home in the least likely of places, inhabited by her popular classmate Yuki Soma and his cousin Shigure.
The first day Tohru moves into the Soma house, an orange haired teenager crashes through the roof of her new bedroom and starts attacking Yuki. This newcomer is Kyo, Yuki and Shigure's aggressively angry cousin. Tohru tries to stop the fight by holding him, causing him to transform into an orange cat in front of her.The Somas live with a curse. Twelve members of the family (not including Kyo, who is the ) are possessed by spirits of the and turn into their zodiac animal when they are weak, under stress, embarrassed, or when hugged by someone of the opposite sex.When Tohru discovers the Somas' secret, she promises not to tell and is allowed to keep living with them. Although the Somas' curse is deeper and darker than Tohru realized, her presence and her acceptance of them soon becomes a large, positive influence on those possessed by the zodiac. She sets out to break the curse and, on the way, meets and discovers the Soma's vengeful zodiac spirits. Each has a different personality, just like the animals in the.
One by one, Tohru's existence changes the Soma clan's lives forever.Characters. Main article:The 136 chapters of Fruits Basket were originally serialized in Japan by in from July 1998 to November 2006. These were collected in 23 volumes, with the final volume published in Japan on March 19, 2007.The series is licensed in English in North America and the United Kingdom by and in. The Singapore edition is licensed to be imported to Australia and New Zealand. All 23 English-language volumes have been released in North America and Singapore.
In addition, Tokyopop released a box set containing the first four volumes in October 2007, and started re-releasing earlier volumes in 'Ultimate Editions' combining two sequential volumes in a single larger hard-cover volume with new cover art. The first Ultimate Edition release met with mixed reviews, however, because they exactly reproduce the first two volumes without correcting changed page numbers or prior errors. As of June 2008, six Ultimate Editions have been released, covering the first twelve volumes of the series. After Tokyopop ceased publication, the series was re-licensed by, with plans to release it as twelve omnibus editions corresponding Hakusensha's collector's editions.Chuang Yi also publishes in Singapore a edition as well as English. In Europe, Fruits Basket is licensed in French by, in Spanish by, in Italian by, in by, in German and Swedish by, in Finnish by, and in Polish (the Collector's Edition version) by, and in Danish by Mette Holm Carlson Manga. In, has released the complete series in Mexico in Spanish, and has released the complete series in Portuguese in with the first volume released in April 2005.On September 4, 2015, the first two volumes of Fruits Basket: Collector's Edition (愛蔵版 フルーツバスケット) were released in Japan under the Hana to Yume Comics Special imprint.
It is to extend to twelve volumes in total. On the same day, a sequel series, Fruits Basket another ( フルーツバスケットanother), began serialization in HanaLaLaOnline. The series is ran for three volumes. Starting in June 2016, Fruits Basket: Collector's Edition was released in English. Chavez, AnimeOnDVD.comTakaya's artwork is considered to be more than artistically appealing, with Takaya's skills in detailed art, shadowing, and shading allowing her to convey the character's moods and emotions without the character having any dialogue at all.The real strength of Natsuki Takaya's artwork isn't that that it looks good—though it definitely does, from its beautiful characters to the intricately rendered textures of their clothing—but how well it communicates mood and emotions. Not content to rely on facial expressions, though she does them well, Takaya is particularly apt at using shading and shadows to indicate character's mental states. The details of character's emotions—the disparity between Tohru's private emotions and her public front, the punishing intensity of Kyo's feelings for Tohru—are not only discernable but tangible, all without a word being spoken.
— Carl Kimlinger, Anime News NetworkIn, gave the manga three and a half out of four stars. While finding the series to be 'surprisingly sad' and praising the well-defined characters, he felt the series was 'neither particularly well drawn nor incredibly witty'.
As a whole, he considered it 'a fascinating manga, like a sweet, melancholy dream.' Reviewers felt the anime adaptation was similar to in terms of premise and its using a similar musical score.
Julie Davis found the characters to be 'superficially pretty' and 'so-clean-they-look-almost-like-paper-cutouts' with 'really, really gigantic eyes', though she notes that the animal alter forms of the zodiac members were 'cute and cuddly'. Fellow reviewer Urian Brown disagreed, stating that 'the characters are designed in a sleek stylish manner that is classy' and felt the animation was 'refined'. A factor in the success of Fruits Basket in English-speaking countries was that the books were being sold in bookstores, rather than comic book shops, which are considered to be a predominantly male domain. Anime The Fruits Basket anime adaptation has also been well received, ranking third in Anihabara's list of top televised anime series in Japan for February 2002. In the June 2002 issue of magazine, the series was first in a list of the best twenty anime series in Japan.
In 2006, five years after the series finished airing in Japan, it was 93rd in 's list of Japan's 100 favorite animated TV series. Though it only covers part of the manga, critics felt the ending brought the story to a good stopping point while making it clear that there was much left for the Soma and Tohru to deal with, including the curse and Tohru's future choice between Kyo and Yuki. Though some felt the plot was lacking in development, they also praised the series for the strength of its character relationships.The entire series of Fruits Basket proves to be a true emotional roller coaster, hiding truly deep and heartfelt drama behind a candy coating of fun and humor. Deep down, it explores many aspects of emotion as the various characters search for their place in the world, gaining strength from each other.
— Allen Divers, Anime News NetworkIn April 2005, Funimation Entertainment started a project calling for convention attendees to help them fold 1,000 paper cranes. In Japanese folklore, folding 1,000 paper cranes would grant someone a wish. When they had at least 1,000 cranes, Funimation sent the cranes and pictures of the events to Studio Deen and Hakusensha to try to convince the company to produce a second season of the Fruits Basket anime. Fans successfully folded the required 1,000 cranes by the end of the 2005 convention season, starting at least a 13-year gap that culminated in the announcement of the new Fruits Basket anime in 2018. Music Theme Songs of Fruits Basket anime (2001)Opening #1 - For Fruits Basket by (JP), (US)Ending #1 - Chiisana Inori by (JP), Laura Bailey (US)Ending #2 - Serenade by (JP), Daphne Gere (US)Theme Songs of Fruits Basket anime (2019)Opening #1 - 'Again' by Beverly (eps 1-13)Opening #2 - 'Chime' by (eps 14-)Ending #1 - 'Lucky Ending' by Vickeblanka (eps 1-13)Ending #2 - 'One Step Closer' by INTERSECTION (eps 14-)References.
Bridges, Rose (18 November 2015). Retrieved 16 August 2019. Silverman, Rebecca (11 December 2017).
Retrieved 24 June 2019. Divers, Allen (11 March 2003). Retrieved 24 June 2019. Loo, Egan (7 May 2007). Retrieved 24 June 2019. Anime News Network. Retrieved 3 April 2019.
^ (10 February 2004). 'Chapters 1–2'. Fruits Basket, Volume 1. Los Angeles:. (6 July 2009). Fruits Basket, Volume 23.
Los Angeles:. P. 133. (2004). 'Chapter 6'. Tokyopop.
(8 August 2008). Fruits Basket, Volume 14. Los Angeles:. Pp. 77, 111, and 141. (8 August 2008). Fruits Basket, Volume 14. Los Angeles:.
There was one mistake in that Momiji's and Kureno's names are actually reversed. When I was coming up with names, by the time I realized I was mistaken, it was too late. The chapter where Momiji first shows up had already been published in Hana to Yume Magazine.
(8 August 2008). Fruits Basket, Volume 14. Los Angeles:. Retrieved 12 December 2007. Archived from on 22 January 2008. Retrieved 19 February 2008. Archived from on 19 January 2008.
Retrieved 2008-02-19. Madman Entertainment. Retrieved 19 February 2008. Greg Hackmann (26 December 2007). Retrieved 27 December 2007. 4 December 2015.
Retrieved 4 December 2015. Anime News Network. 17 July 2015. Retrieved 5 September 2015. (28 June 2016). Fruits Basket Collector's Edition, Vol. Yen Press.
RPL. UK Anime Net. Archived from on 15 December 2007.
Retrieved 12 December 2007. Justin Sevakis (23 October 2010). Retrieved 13 December 2018. (in Japanese).
Retrieved 19 February 2008. Retrieved 19 February 2008. Archived from on 22 June 2008. Retrieved 19 February 2008. Retrieved 18 November 2018. Retrieved 18 November 2018.
UK Anime Net. 14 November 2006. Archived from on 21 November 2006. Retrieved 19 February 2008. Revelation Films. Archived from on 5 October 2007.
Retrieved 2008-02-19. Osmond, Andrew (20 December 2011). Retrieved 18 November 2018. Retrieved 19 February 2008. ^. Anime News Network. Retrieved 12 November 2018.
Sherman, Jennifer (16 January 2019). Retrieved 16 January 2019. Anime News Network.
Retrieved 26 February 2019. Antonio Pineda, Rafael (19 November 2018). Retrieved 19 November 2018. Hodgkins, Crystalyn. Anime News Network.
Retrieved 4 March 2019. Hodgkins, Crystalyn. Anime News Network. Retrieved 4 July 2019. Funimation.
Retrieved 3 April 2019. Anime News Network. Retrieved 30 May 2019.
Sherman, Jennifer. Anime News Network. Retrieved 20 September 2019. Hodgkins, Crystalyn. Anime News Network.
Retrieved 17 January 2020. (August 2004) 2000. Jake Forbes (ed.). Fruits Basket, Volume 4. Fruits Basket. Alethea Nibley and Athena Nibley (translators).
Los Angeles, CA: TOKYOPOP. (16 April 2004). 高屋奈月 画集「フルーツバスケット」 (in Japanese). (19 May 2005). フルーツバスケットファンブック〈猫〉 (in Japanese).
(11 September 2007). Fruits Basket Fan Book - Cat. (19 March 2007).
フルーツバスケットファンブック/宴 (in Japanese). Santos, Carlo (25 September 2009). Retrieved 27 September 2009. 28 October 2008.
Retrieved 28 October 2008. ^. 6 December 2006. Retrieved 12 December 2007. Zonkel, Phillip (27 June 2007). Archived from on 14 December 2007. Retrieved 12 December 2007.
27 November 2007. Retrieved 12 December 2007. 2 April 2008. Retrieved 3 April 2008. Hibbs, Brian (February 2008). Archived from on 17 May 2008. Retrieved 19 February 2008.
10 July 2009. Retrieved 1 August 2009. 17 July 2009. Retrieved 1 August 2009. 1 August 2009. Retrieved 1 August 2009.
7 August 2009. Retrieved 24 September 2009. 14 August 2009. Retrieved 24 September 2009. 2 October 2009.
Retrieved 10 October 2009. 27 November 2007. Retrieved 12 December 2007. Lavey, Megan (13 April 2004). Archived from on 18 April 2008. Retrieved 14 March 2008. ^ Kimlinger, Carl (5 June 2007).
Retrieved 14 March 2008. Lavey, Megan (10 March 2005). Archived from on 18 April 2008. Retrieved 14 March 2008. Chavez, Eduardo (19 June 2004). Archived from on 18 April 2008.
Retrieved 14 March 2008. (9 October 2007).
New York, New York:. P. 115. Davis, Julie; Brown, Urian (November 2001).
'Reviews, Best of the East'. 9 (10/11): 90–91. Archived from on 30 September 2011. Retrieved 2009-07-01.
CS1 maint: archived copy as title. 11 March 2002. Retrieved 14 March 2008.
Retrieved 14 March 2008. 13 October 2006. Retrieved 14 March 2008. ^ Divers, Allen (21 May 2003).
Retrieved 14 March 2008. ^ Rocks, Jennifer (21 January 2008). Archived from on 19 October 2007. Retrieved 14 March 2008.
Beveridge, Chris (9 April 2005). Archived from on 1 November 2006. Retrieved 14 March 2008.
13 October 2005. Retrieved 14 March 2008.Further reading. Choo, Kukhee (November 2008).
'Girls Return Home: Portrayal of Femininity in Popular Japanese Girls' Manga and Anime Texts during the 1990s in Hana yori dango and Fruits Basket'. Women: A Cultural Review. 19 (3): 275–296.External links Wikiquote has quotations related to:Manga. (in Japanese). (in Japanese). (manga) at 's encyclopediaAnime.
(in Japanese). (in Japanese). (anime) at 's encyclopedia. (anime) at 's encyclopedia.
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