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In this episode we are joined by Oscar Harding, a film researcher and producer based in the UK to discuss depictions of slave trade in film in reference to three films; Roger Gnoan M'Bala's underrated film 'Adanggaman', Julie Dash's recently re-released 'Daughters of the dust' and Haile Gerima's 'Sankofa'.Visit the African Cinema subreddit here; www.reddit.com/r/africancinema/Check out Sharon's reviews and interviews on Cinema Escapist here; all-rights-reserved.
Running time124 minutesCountryBurkina Faso / Germany / Ghana / US / UKLanguageEnglishSankofa is a 1993 directed by centered on the. The storyline features Oyafunmike Ogunlano, Alexandra Duah,. The word derives its meaning from the which means to 'go back, look for, and gain wisdom, power and hope,' according to Dr. Anna Julia Cooper. The word Sankofa stresses the importance of one not drifting too far away from one's past in order to progress in the future.
In the film, Sankofa is depicted by a bird and the chants and drumming of a Divine Drummer. Gerima's film showed the importance of not having people of African descent drift far away from their African roots. Gerima used the journey of the character Mona to show how the African perception of identity included recognizing one's roots and 'returning to one’s source' (Gerima). Contents.Plot The film starts off with an elderly Divine Drummer, Sankofa (played by ), beating on African drums chanting the phrase 'Lingering spirit of the dead, rise up.' This is his form of communication with the of the African land, specifically Ghana. He believes that his drumming is essential in bringing the spirit of his ancestors who were killed in the back home. The story then goes on to show Mona (Oyafunmike Ogunlano), a contemporary on a film shoot in.
She has a session at, which she does not know was historically used for the Atlantic because she has been disconnected from her roots for so long. While Mona is on the beach modeling, she encounters the mysterious old man Sankofa who was playing the drums at the beginning of the film. Sankofa persistently reminds Mona to return to her past and is very belligerent when it comes to keeping the place of his ancestors’ sacred, so he attempts to kick white tourists out of the slave castle.
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When Mona decides to go take a look inside the castle herself, she gets trapped inside and enters a sort of in which she is surrounded by chained slaves who appear to have risen from the dead. Mona attempts to run out of the slave castle and is met by white slave masters who she tries to reason with by claiming that she is of American descent and not of. The slave masters pay no attention to Mona's claim and push her to a fire, strip off her clothing, and put a hot iron on her back.Mona is then transported into the body of a house servant named Shola 'to live the life of her enslaved ancestors.' She is taken to the Lafayette in the where she suffers abuse by her slave masters and is often a victim of rape. On the plantation, Shola encounters many characters including Nunu (Alexandra Duah), an African-born field hand who went about her day-to-day life with Africa still living in her heart and was characterized as a 'strong motherly slave with a rebel mindset'; Noble Ali , a headman with split loyalty between his masters and fellow slaves and who deeply loved Nunu and refused to let anything happen to her; and Shango , a rebellious slave who was sold to the Lafeyettes' after being deemed a trouble-maker and who soon became the lover of Shola. Shango is named after and displays loyalty to his fellow slaves to the extent that he would risk his own life.
There are many instances where Shango gets himself in trouble for attempting to fight on behalf of another slave. Shango often performs rebellious acts such as trying to get Shola to poison the overseer or even cutting down sugar canes out of anger. When asked about why he will not simply run away from the plantation, he says it is because he can not leave his fellow slaves behind. Both Nunu and Shango resist and rebel against the slave system by doing everything in their power to gain freedom. Shola witnesses Nunu and Shango being actively involved in a secret society that had meetings at night and had memberships consisting of slaves from the Lafayette plantation as well as other plantations.
At first, Shola claims that she can not get herself to join the secret society due to the Christian in her. The slaves of the society altogether decide to execute a revolt which leaves a bunch of sugar cane land in ashes.Nunu comes into conflict with her own son, Joe, who is fathered by a white man who raped Nunu on a slave ship. Joe (Nick Medley) has been made a head slave and often has to discipline other slaves in order to keep his master happy. Joe completely neglects his African identity and considers himself a white Christian male. He is brainwashed by Father Raphel who teaches Joe that the Africans on the plantation, including his own mother, are devil worshippers and that Joe could not identify with them. Joe ends up killing his mother, Nunu, because he believes that she is possessed. He later realizes that his action was demoralizing and that he had no reason to forgive himself.
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After Nunu's death, some believe that she was metaphorically able to return home on the wings of a bird, meaning that her deep desire to return to Africa was finally fulfilled.Throughout the film, Shola gradually transforms from being a compliant slave to one that gains rebellious instincts after being given the Sankofa bird by Shango. The bird once belonged to Shango's father and Shango decided to pass it on to Shola after she was for attempting to run away.
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Inspired by Nunu and Shango's determination to defy the system, Shola joins them in fighting back against her masters in a rebellion where she retaliates at her white rapist and kills him. After her trials, Shola returns to the present as Mona, deeply aware of her African roots. She is greeted by a woman who says 'My child, welcome back' and walks past the photographer who symbolizes. Mona is now enlightened and is captivated by the sound of Sankofa's chants and his African drum. She joins a group of black people who have also learned what Sankofa really means and are reconnecting to their roots. Nunu comes out of the slave castle while Mona was in a trance and sheds tears of joy. Meanwhile, Sankofa the Divine Drummer plays his drums, chanting: 'Lingering spirit of the dead, rise up and possess the stolen spirit of those stolen in Africa.'
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